Tuesday, March 17, 2020
The horror film Scream Essay Example
The horror film Scream Essay Example The horror film Scream Essay The horror film Scream Essay The horror film Scream was released in 1997, the director a Mr Wes Craven was trying to aim the film at young teenagers. Although the film has blood and guts it also has psychological side to it because in quite a bit of the film when the viewer is watching it the killer will say something like do you like scary movies? this indicates that the movie is scary and that this is the killer speaking. In the film, the killer plays with you mind by speaking to the victim on the phone to find out information about her by flirting with her then the victim feels overwhelmed and starts to tell the unknown killer thing about her then the killer will use that information on her to scare her then he knows that he is in control. Usually the telephone is used to call for help or in an emergency but in this situation the phone is used to scare the victim and also to get into the victims mind. You can see that the film is aimed at teenagers because most of the characters are young teenagers so this should tell you quite a lot of information about the age group the film is aimed at. This movie is a typical teen horror movie you can see this because the killer always plays ends up killing a character that is not such a big part the main victim never ever gets killed. After watching and listening to the opening title screen this gets the viewer in the mood for the movie. The movie is quite scary in parts this is where the director tries to keep you on the edge of your seat also he uses the phone to build up the tension because when the victim is getting chased the viewer will be shouting for the victim to run because we have got to know her and we like her. As you watch the film you can start to see that Casey has a very loving relationship with her parents you can see that they trust her because they left her in the house on her own with shows that they trust her. Also they must love her very much because when they walk in the house and see all the smoke they dont say what has happened the very first thing they do is shout for Casey and start searching for her and when they cannot find her they phone the police. When her mother picks up the phone to ring the police she can hear her daughter at the other end getting killed the only thing they can do is listen and shout to her because it must be horrible to listen to your daughter being killed so they cannot listen to this but also they cannot put the phone down because they will feel guilty. Caseys parents are helpless because they cannot help her at all. The opening title to the film is very well suited to the film. At the beginning of the title the word scream flashes white and red then changes into blue and at the end of they explode. The opening titles make the watcher think of blood and horror, which is the main feature for a movie of this nature. The house that Casey lives in is very clean and the colours in the house are very light and bright the colours are a contrast of white and cream. When the killer begins to take over Casey and starts to threaten her the house becomes darker and spooky as if the killer is in her mind. After this you begin to see that she is in the middle of nowhere and how big the house actually is. This is the perfect setting for a murder because it is in the middle of nowhere. I think that Wes Craven chose to have Casey killed in her own home to show that even you are not safe in your own home. At the beginning of the film, when the killer is on the phone he is very polite and charming then after a while he begins to speak in a deeper voice then eventually he cracks and shouts at her he says no listen you little bitch speak to me again and Ill gut you like a fish. The fist time we see the killer is in the hall as he dashes past but he is just a blur. He is not dressed normally he has a white ghost mask on he is holding a knife he has boots on and a long hooded cloak with black pants. Although the fist time we see him in a close up is at the window when Casey is outside and she peers through the window sees the killers face with a mask on then he smashes through the window and grabs Casey. When we see the killer on screen he does not speak because if he does then the victim might know who the killer is and he might get caught. Also the lighting in the film is very suited to the film as in the beggining the film is very light beacuse this implies happines and this is because the victim is happy. Casey does not know that she is goning to die and the fact that she is getting ready to watch a movie, as the killer rings casey and as he starts to get into her mind the house then becomes much darker.
Sunday, March 1, 2020
Using Maps with American Literature as Informational Texts
Using Maps with American Literature as Informational Texts Teachers of American literature in middle or high school classrooms have the opportunity to select from a little overà 400 years of writing by American authors. Because each author offers a different perspective on the American experience, teachers may also choose to provide the geographic context that influenced each of the authors taught in a curriculum. In American literature, geography is often central to an authors narrative. à Representing the geography of where an author was born, raised, educated, or wrote can be done on a map, and the creation of such a map involves the discipline of cartography. Cartography or Map Making The International Cartographic Association (ICA)à defines cartography: Cartography is the discipline dealing with the conception, production, dissemination and study of maps. Cartography is also about representation ââ¬â the map. This means that cartography is the whole process of mapping. Theà structural modelsà of cartographyà can be used toà describe the process of mapping for anà academic discipline. Supporting the use of maps in the study of literature to better understand how geography has informed or influenced an author is made in anà argument made byà Sà ©bastien Caquard and William Cartwright in their 2014à articleà Narrative Cartography: From Mapping Stories to the Narrative of Maps and Mappingà à published inà The Cartographic Journal. The article explains howà the potential of maps to both decipher and tell stories is virtually unlimited. Teachers may use maps that help students better comprehend how the geography of America may influence authors and their literature. Their description of narrative cartography is an aim,à to shed light on some of the facets of the rich and complex relationships between maps and narratives. Influence of Geography on American Authors Studying theà geography that influenced the authors of American literature can mean using some of the lenses of social sciences such asà economics,à political science,à humanà geography,à demography, à psychologyà orà sociology. Teachers may spend time in class and provide the cultural geography background of the authors who penned the most traditional selections of literature in high schoolà such as Nathanial Hawthornes The Scarlet Letter, Mark Twains The Adventures of Huckleberry Finn, John Steinbecks Of Mice and Men. à In each ofà these selections, as in most American literature,à theà context of an authorsà community,à culture, and relationships isà tied to specific time and location. For example, the geography of colonial settlements is seen in theà first pieces of American literature, beginning with aà 1608 memoir by Captain John Smith, English explorer andà leader of Jamestown (Virginia). The explorers accounts are combined in a pieceà titledà à A True Relation of Such Occurrences and Accidents of Noate as Hath Happened in Virginia.à In this recounting, consider by many to be wildly exaggerated, Smith describesà the story ofà Pocahontas saving his life from the hand of Powhatan.à More recently, the 2016 winner of the Pulitzer Prizeà à for fictionà was written byà Viet Thanh Nguyenà whoà was born in Vietnam and raised in America. His storyà The Sympathizerà is described as, A layered immigrant tale told in the wry, confessional voice of a man of two minds- and two countries, Vietnam and the United States. In this award-winning narrative, the contrast of these two cultural geographies is central to the story. The American Writers Museum: Digital Literary Maps There are a number of different digitalà map resources available to teachers with Internet accessà to use in providing students background information. Should teachers want to giveà students an opportunity to research American authors, a good starting place might be the American Writers Museum,à A National Museum Celebrating American Writers. The museum already has a digital presence, with their physical offices scheduled to open in Chicago in 2017. The mission of theà American Writers Museum is to engage the public in celebrating American writers and exploring their influence on our history, our identity, our culture, and our daily lives. One featured page on the museumsà website is a Literary Americaà mapà that featuresà American writers from all over the country.à Visitors canà click on a states icon to see what literary landmarks are located there à such as author homes and museums, book festivals, literary archives,à or even an authors final resting places.à This Literary Americaà map will help students meet several of the goals of the new American Writers Museum which are to: Educate the public about American writers ââ¬â past and present;Engage visitors to the Museum in exploring the many exciting worlds created by the spoken and written word;Enrich and deepen appreciation for good writing in all its forms;Inspire visitorsà to discover, or rediscover, a love of reading and writing. Teachers should know that the digital Literary America map on the museums website is interactive, and there are links to multiple other websites. For example, by clicking on New York State icon, students could choose to be connected to an obituary on the New York Public Librarys website forà J.D. Salinger,à author of Catcher in the Rye. Another click on the New York State icon couldà take students toà a news story about the 343 boxesà containing theà personal papers and documents of the poetà Maya Angelouà that were acquiredà by theà Schomburg Center for Research in Black Culture. This acquisition was featured in an article in the NY Times, Schomburg Center in Harlem Acquires Maya Angelou Archiveà and there are links to many of these documents. There are links on the Pennsylvania state icon to museums dedicated to authors born in the state. For example, students can choose between Edgar Allan Poe National Historical SitePearl S. Buck HouseZane Grey Museum Similarly, a click on the Texas state icon offers students an opportunity to digitally visit three museums dedicated to the American short story author, William S. Porter, who wrote under the pen name O.Henry: O. Henry HouseO. Henry MuseumWilliam Sidney Porter, O. Henry Museum The State ofà California offers multiple sites for students to explore on American authors who had a presence in the state: Eugene Oââ¬â¢Neill National Historic SiteJack London State Historic ParkJohn Muir National Historic SiteNational Steinbeck CenterRobinson Jeffers Tor House FoundationThe Beat MuseumWill Rogers Ranch Additional Literary Author Map Collections 1. At the Clark Library (University of Michigan Library) there are a number of literary mapsà for students to view.à One suchà literary map was drawn byà Charles Hook Heffelfinger (1956).à This map lists the last names of many American writers along with their principal works within the state in which the book takes place. The description of the map states: As with many literary maps, while many of the works included may have been commercial successes at the time of the mapââ¬â¢s publication in 1956, not all of them are still acclaimed today. Some classics are included, however, such asà Gone With the Windà by Margaret Mitchell andà The Last of the Mohicansà by James Fenimore Cooper. These maps can be shared as a projection in class, or students can follow the link themselves. 2. The Library of Congressà offers an online collectionà of maps titled, Language of the Land: Journeys Into Literary America. According to the website: à The inspiration for this exhibition was the Library of Congresss collection of literary mapsmaps that acknowledge the contributions of authors to a specific state or region as well as those that depict the geographical locations in works of fiction or fantasy.à This exhibition includes theà 1949à Booklovers Mapà published by R.R. Bowker of New York whichà features important points of interest across Americaââ¬â¢s historical, cultural, and literary landscape at the time. There are many different maps in this onlineà collection, and the promotional description for the exhibition reads: From Robert Frosts New England farms to John Steinbecks California valleys to Eudora Weltys Mississippi Delta, American authors have shaped our view of Americas regional landscapes in all their astonishing variety. They have created unforgettable characters, inseparably identified with the territory they inhabit. Author Maps AreInformational Texts Maps can be used as informational texts in the English Language Arts classroom as part of the key shifts educators can use in order toà integrate the Common Core State Standards.à These key shifts of theà Common Coreà state that: Students must be immersed in information about the world around them if they are to develop the strong general knowledge and vocabulary they need to become successful readers and be prepared for college, career, and life. Informational texts play an important part in building studentsââ¬â¢ content knowledge. English teachers can useà maps as informational texts to build student background knowledge and improve comprehension. The use of maps as informational textsà could be covered under the following standards: CCSS.ELA-LITERACY.RI.8.7à Evaluate the advantages and disadvantages of using different mediums (e.g., print or digital text, video, multimedia) to present a particular topic or idea. CCSS.ELA-LITERACY.RI.9-10.7à Analyze various accounts of a subject told in different mediums (e.g., a persons life story in both print and multimedia), determining which details are emphasized in each account. CCSS.ELA-LITERACY.RI.11-12.7à Integrate and evaluate multiple sources of information presented in different media or formats (e.g., visually, quantitatively) as well as in words in order to address a question or solve a problem. Conclusion Letting students explore American authors in their geographic and historic context through cartography, or mapmaking, can help their comprehension of American literature. The visual representation of the geography that contributed to a work of literature is best represented by a map. The use of maps à in the English classroomà can also help students develop an appreciation of Americas literary geography while increasing their familiarity with theà visual language of maps for other content areas.
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